DUAL CHANNEL ALL-TUBE METROPOULOS METROPLEX MODULE

George Metropoulos has spent over 20 years ripping, restoring and analyzing vintage Marshall amps.  Specifically, 100 watt Superlead heads.  Metropoulos Amplification owns a reputation for building the most historically and sonically accurate plexi replica amps available.  With the release of George's Metro-Plex, all that knowledge was distilled and fermented into a modern design with best of the best plexi Superlead tones. Based on one particular plexi 100 watt from 1968, serial # SL/12380 (just 79 away from EVH's #1 plexi) the Metro-Plex delivers iconic plexi tones heard on countless rock records. 

SYNERGY PLEXI – INTERCHANGEABLE PRE-AMP 


There's no question about it. A cranked British stack is, was, and always will be the sound of rock. From the moment in the 1960s when these amps were created to keep up with the likes of Pete Townshend, Jimi Hendrix, and Eric Clapton, a revolution in thick-creamy overdrive was born. Since that time, there have been a string of British amps so iconic that they continue to rule stages around the world. From the Bluesbreakers album to Malmsteen’s high-flying precision, the company that invented the amp stack is still synonymous with everything hard rock and metal.

FRIEDMAN HBE – INTERCHANGEABLE PRE-AMP 

Dave Friedman is the man behind some of the most impressive tones in rock 'n' roll, and has been for over 25 years. Throughout that time, luminary players such as Jerry Cantrell and Steve Stevens have been relying on Friedman's amplifier modifications, repairs, and builds to keep them sounding at the top of their game. With that expertise in tow, Friedman moved into crafting his own line of top-shelf electric guitar amplifiers, instruments, and effects, and in doing so has built one of the most enviable rosters of artists out there. Whether discussing the plexi-on-steroids tone of the BE-100, the pedal-platform versatility of the Buxom Beauty, or the fire-breathing Bill Kelliher signature Butterslax head, Friedman amps are undoubtedly taking over as the premier rock 'n' roll electric guitar amplifiers.

SYNERGY 800 – INTERCHANGEABLE PRE-AMP

There's no question about it. A cranked British stack is, was, and always will be the sound of rock. From the moment in the 1960s when these amps were created to keep up with the likes of Pete Townshend, Jimi Hendrix, and Eric Clapton, a revolution in thick-creamy overdrive was born. Since that time, there have been a string of British amps so iconic that they continue to rule stages around the world. From the Bluesbreakers album to Malmsteen’s high-flying precision, the company that invented the amp stack is still synonymous with everything hard rock and metal.

DUAL CHANNEL ALL-TUBE MORGAN AC MODULE

Joe Morgan is a man who is committed to purity. His amplifier designs are straight-forward affairs that aim to be as much of an instrument as your electric guitar. It's because of this allegiance to quality that he will only use the finest materials and craftsmanship while expecting only the finest tones from his amps. Amplifiers such as his AC series and SW line have created a massive stir on stages and in studios around the world for how well they achieve the character of some of the most coveted vintage amps, while adding even more clarity and complexity to the tone. When your artist roster contains as many first-call session guitarists who are critical about their tone as Morgan's, you know you're doing something very right.

DUAL CHANNEL ALL-TUBE SYNERGY BMAN MODULE

When someone mentions American-style guitar amplifiers, there is really only one name that comes to mind. And for good reason. Since Fender’s start in California during the late 1940s, they’ve been designing and crafting some of the finest-sounding and most-recorded electric guitar amps in history. Whether guitarists lean more toward the company’s ‘60s-style glassy cleans or gritty tweed-era tones, all of us revere the legacy that these amps continue to create. With their blackface, brownface, tweed, and modern designs, they are the only company that truly lays claim to the American sound.

FRIEDMAN BE – INTERCHANGEABLE PRE-AMP 

Dave Friedman is the man behind some of the most impressive tones in rock 'n' roll, and has been for over 25 years. Throughout that time, luminary players such as Jerry Cantrell and Steve Stevens have been relying on Friedman's amplifier modifications, repairs, and builds to keep them sounding at the top of their game. With that expertise in tow, Friedman moved into crafting his own line of top-shelf electric guitar amplifiers, instruments, and effects, and in doing so has built one of the most enviable rosters of artists out there. Whether discussing the plexi-on-steroids tone of the BE-100, the pedal-platform versatility of the Buxom Beauty, or the fire-breathing Bill Kelliher signature Butterslax head, Friedman amps are undoubtedly taking over as the premier rock 'n' roll electric guitar amplifiers.

DUAL CHANNEL ALL-TUBE Synergy OS MODULE

In the world of guitar amps, there exists one legendary designer and brand that very few ever get to meet, see, or play through. This is Alexander “Howard” Dumble and his namesake Dumble amplifiers. Normally reserved to the paragon of players, you’ll find his amplifiers backing up such artists as Carlos Santana, Robben Ford, and even the late, great Stevie Ray Vaughan.

Fryette Deliverance DUAL CHANNEL ALL-TUBE MODULE

The Fryette® Deliverance® (formerly branded VHT®) is the embodiment of Fryette DNA stripped down to its most essential form. This raw, inspiring amp boasts a devoted following of plug and play guitarists worldwide. The Deliverance is also one of the most tweakable high-gain tube amps you’re likely to find. With its specialized GAIN I/GAIN II structure, you can precisely dial in sweet clean, thick pushed, dynamic crunch and full-blown shred, all easily controllable from your guitar volume. The recently released Deliverance II expands on this versatility while remaining true to its well-regarded heritage.

DUAL CHANNEL ALL-TUBE DIEZEL Herbert MODULE

The Diezel Herbert originated when 7 and 8-string guitars began growing in popularity. It is famous for its ultra-tight bottom-end and percussive attack, perfect for anything from country music to bone-crushing djent-riffs. Today the Herbert remains one of Diezel’s most sought-after amplifiers.

DUAL CHANNEL ALL-TUBE Synergy IICP MODULE

The IICP Module is Synergy’s tribute to one of the most iconic tone machines ever created. For all the continuing development and refinement of modern multi-featured amps, the original Mark series amp this module is based on is still one of the most sought after and hotly discussed guitar amplifiers around.
In the early days of boutique amp development, Steve Fryette worked at Valley Arts Guitars, then the Los Angeles epicenter of high-performance guitar and amplifier expertise. It was there that Steve got first-hand experience with the evolution of this ground-breaking amplifier so, it was a natural fit for Synergy to invite Steve, who was instrumental in the development of Synergy systems already, to design this module. Armed with intimate insight and a passion for perfection, Steve applies a singular focus on the true essence of this legendary amp.

DUAL CHANNEL ALL-TUBE Synergy DRECT MODULE

The Synergy DRECT is an all-tube, two channel module that pays homage to the legendary rectified amplifiers that have left an indelible mark on heavy rock for over three decades. In 1992, the 100-watt, 2-channel dual rectified amp emerged, redefining the landscape and sound of heavy rock. Little did anyone know that its low-mid punch and searing gain would become the sonic foundation for countless bands seeking to amplify down-tuned aggression. Despite the various revisions, the Rev C is what introduced the amp to the world. Its Orange channel's crunch and the Red channel's high-gain prowess defined the unmistakable tone of rock and metal guitar, a legacy that lives on till today.

SYNERGY T/DLX  INTERCHANGEABLE PRE-AMP

When someone mentions American-style guitar amplifiers, there is really only one name that comes to mind, and for good reason. Since their start in Fullerton, California during the late 1940s, they’ve been designing and crafting some of the finest-sounding and most-recorded electric guitar amps in history. Whether guitarists lean more toward the company’s ‘60s-style glassy cleans or gritty tweed-era tones, all of us revere the legacy that these amps continue to create. With their blackface, brownface, tweed, and modern designs, there is only one company that truly lies claim to the American sound.

DUAL CHANNEL ALL-TUBE DIEZEL VH4 MODULE

Peter Diezel and the Diezel Amplification brand are synonymous with boutique-quality, high-gain amplification. Since the release of the company's first VH4 amplifier in 1994 they have attracted rock and metal players that demand nothing but the best. Peter Diezel ensures that perfection by hand-checking every single amp personally, and has been doing so for 25 years. Today the Diezel stable of amplifiers has grown to include such ground-breaking models as the Herbert and the Hagen. Simply put, when it comes to high-gain electric guitar amplification, there is none more refined than a Diezel.

FRIEDMAN DS – INTERCHANGEABLE PRE-AMP 

Dave Friedman is the man behind some of the most impressive tones in rock 'n' roll, and has been for over 25 years. Throughout that time, luminary players such as Jerry Cantrell and Steve Stevens have been relying on Friedman's amplifier modifications, repairs, and builds to keep them sounding at the top of their game. With that expertise in tow, Friedman moved into crafting his own line of top-shelf electric guitar amplifiers, instruments, and effects, and in doing so has built one of the most enviable rosters of artists out there. Whether discussing the plexi-on-steroids tone of the BE-100, the pedal-platform versatility of the Buxom Beauty, or the fire-breathing Bill Kelliher signature Butterslax head, Friedman amps are undoubtedly taking over as the premier rock 'n' roll electric guitar amplifiers.

FRIEDMAN BE-BB – INTERCHANGEABLE PRE-AMP 

Dave Friedman is the man behind some of the most impressive tones in rock 'n' roll and has been for over 25 years. Throughout that time, luminary players such as Jerry Cantrell and Eddie Van Halen have been relying on Friedman's amplifier modifications, repairs, and builds to keep them sounding at the top of their game. With that expertise in tow, Friedman moved into crafting his own line of top-shelf electric guitar amplifiers, instruments, and effects, and in doing so has built one of the most enviable roster of artists out there.

SYNERGY BOGNER ECSTASY- DUAL CHANNEL TUBE PREAMP MODULE

Reinhold Bogner is a king in the world of boutique high gain. You can find his amps backing up a wide range of A-list players, such as Alice In Chains’ Jerry Cantrell, Alter Bridge’s Mark Tremonti, Steve Lukather, George Lynch, Eric Johnson and even the late, great Walter Becker. Much of Bogner’s appeal comes from his legendary Ecstasy 100-watt head.

SYNERGY BOGNER UBERSCHALL- DUAL CHANNEL TUBE PREAMP MODULE

In the world of high-end, high-gain guitar amplification, the Bogner Überschall is a legend. It’s ability to pile on all-tube distortion while letting every string ring out has made it a go-to amp for an incredible range of players. The Überschall’s - which translates to Super Sonic - responsive, and wall-shaking second channel is where most high-gain fanatics spend their time. Not only does it deliver premium crunch, but it’s extended low-end capabilities make it a perfect choice for players of extended-range and drop-tuned guitars like you could hear it with Korn, Tool, Slipknot, Rammstein to name a few.